Monday, September 26, 2016

Some thoughts on "The Fish"

My inestimable colleague, Paul Zajac, returned from The Summer Poetry Institute at Boston University and asked if our department would each share a favorite poem and a few sentences about why it speaks to us. After procrastinating for a couple of weeks, I chose "The Fish" by Elizabeth Bishop, so I'm including the poem itself and my "few lines" about it below.
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
—the frightening gills,
fresh and crisp with blood,
that can cut so badly—
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
—It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
—if you could call it a lip—
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels—until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
I love this poem for some reasons I can name and for some feelings that it evokes that are hard to pin down in words. I know I love its description, the way it captures such an intensely specific and brief visual moment of holding a fish. I love that it takes something ordinary and pulls out what’s extraordinary about it. I see how that works, and I’m in love with how masterfully it’s done. But when the poem transitions from the description of the fish to “I stared and stared…” and the vision starts to expand outwards, there’s a feeling I can’t quite name, but I’ve shared it when I’ve taken the time to be completely present in a moment that turned beautiful, even if it was small and unimportant.

And I love this poem because it gives me the words to think when I’m out in the world and something that’s beautiful and scary that happens and the world seems suddenly much larger. I think “everything / was rainbow, rainbow, rainbow!” A great poem is a gift, and this one gives to me every time I think of it.